THE hidden cost behind beauty and the things we desire is explored in a thought-provoking new art exhibition opening.

Described as “an exhibition for art lovers, historians and Kernowphiles alike”, Arsenic: What Price Beauty? is the culmination of two years of research and a major new body of work by contemporary Cornish fine artist, digital printmaker and sculptor Terrye Teverson.

On display at Wheal Martyn Clay Works near St Austell, the exhibition investigates the arsenic trade in Cornwall, blending traditional and contemporary mediums to create immersive experiences that challenge viewers to confront the desire for ‘beautiful’ objects and contemplate the means of production.

Terrye said: “I find it stimulating researching and unearthing old stories that have long been forgotten or buried, with a focus on themes of misogyny, patriarchy and social injustice.

“My recent investigation into the arsenic trade in Cornwall brought these pervasive forces into sharp relief, and these historical revelations have fuelled this body of work.”

The exhibition examines the often uncomfortable truths of the production of this highly toxic element, its uses and the ramifications of child labour, historically in Cornwall and continued use across the world.

It also reveals William Morris’ involvement in the arsenic trade, bringing together the beauty of his celebrated wallpaper designs with the disturbing history of the people who extracted this poisonous substance used in them.

Exhibits include painted ceramics, digital prints, paintings and sculpture.

Sarah C Jane, collections manager at Wheal Martyn, said: “From the arsenic labyrinths of Cornwall to mining communities overseas today, Terrye’s work encourages us to look beyond appearances and consider the human stories, environmental damage and hidden costs that may lie beneath the surface.

“The exhibition asks us to question the true cost of the things we value and use, and to reflect on how our choices as consumers affect the lives of others.”

Arsenic: What Price Beauty? is on display in the Roger Preston Gallery until December 22.